" Máire Higgins appears to relish the opportunity to play the Angel of Assassins. She goes for the gusto and gets it with a perfectly over-the-top portrayal of an impassioned radical. When she casually styles herself an “editor” of the journalist Marat, the audience erupted in laughter...Higgins changes gears later in the play by conveying Corday’s very tangible fear and fragility."- Boulder Weekly (The Revolutionists) "Higgins is the consummate wisecracker, rendering very real and very serious struggles into quips and gags." -Daily Camera (The Wolves)
"The steel in Máire’s backbone translates to a tough-minded Eponine-like Charlotte, angry and determined....Together they are a formidable cast bringing to life an amazing story... NOT TO BE MISSED...A WOW factor of 10!" -Boulder Magazine (The Revolutionists)
"Director Allison Watrous has also cast the play beautifully...Máire Higgins makes Charlotte a tough, funny, fling-about country girl"- Westword (The Revolutionists)
"...Charlotte Corday bursts into the writer’s room...Corday came from a lesser noble family, as portrayed by Máire Higgins, she evokes a more earthy citizen carrying out an uncommon political act..."-Denver Post (The Revolutionists)
"...Higgins’ consistency and stalwartness as Lauren, upholds both a spiritual and heartfelt perspective." Colorado Drama (FULL CODE)
"...Higgins’ clear and simple singing voice, and her effective way of acting out physical impairment without dwelling on it; moments of dance or rhythmic movement that, at the show’s opening, set a tone of “interpretation.”...A sensitive portrait of a rare spirit..." New Haven Review (Moonsong)
"...Higgins only gets to reprise that last one at the start of the second act, but she is rewarded with the funniest bit of the evening as Abraham (you will hear what I mean)." Duluth Tribune (Godspell)